Art is Natasha’s truest form of love, a language through which she communicates her most authentic self. Born and raised in Mumbai, she comes from a family that celebrates humanity, progressive ideals, and a liberal philosophy. Her upbringing, deeply rooted in values of respect and compassion, was further shaped by nearly two decades of teaching and research in cosmopolitan, multicultural cities. It is no surprise, then, that Natasha’s art is inherently socially engaged, reflecting her deep connection to both the pulse of contemporary society and timeless cultural currents.
Her work radiates vibrancy, defined by bold compositions, bright hues, and an ever-present use of symbolic imagery that captures the essence of social, political, and environmental narratives. Rather than following traditional forms, Natasha plays with geometric shapes, bringing a distinct, powerful impact to her visual language. Through irony and satire, she speaks directly to the world around her, making statements that challenge conventions and provoke thought about current issues.
For Natasha, the greatest joy comes not just from creating, but from inspiring others to view the world in fresh, unexpected ways through her art. Her pieces are an invitation to reimagine possibilities and explore new perspectives, inviting a dialogue between her audience and the ever-evolving world.
RECOGNITION
- Longlisted for the distinguished Oxford Bookstore Art Book Prize 2025 for her stunning collection of ninety paintings, Whose Ramayana is it Anyway?
- Shortlisted for the prestigious Publishing Next Industry Awards 2024 in the coveted Printed Book of the Year (Art, Illustration, and Photography) category for Whose Ramayana is it Anyway?
- Winner of the Matunga Gymkhana Excellence Award 2025 for outstanding contributions to art and historical research
- Winner of the People’s Choice Award at the Brisbane Art Prize 2017, a testament to her ability to resonate with and captivate audiences
- In May 2017, Natasha was named one of the Top 10 Finalists for The Social Art Award 2017 by The Institute for Art and Innovation e.V. in Berlin, marking a milestone in her recognition on the global art stage
EXHIBITIONS
- May 2020: Annual Art Show, Altamira Art Gallery, Kolkata.
- October 2019: ‘85th All-India Exhibition of Arts 2019’, Indian Academy of Fine Arts, Amritsar.
- May 2019: Artezvous’ Summer Show, Artezvous, Mumbai.
- October-December 2018: ‘Crossings + Boundaries’ Exhibition, Platform Gallery, Interdisciplinary Humanities Center, University of California, Santa Barbara.
- 2018: ‘Unnatural Election: Artists respond to the 2016 US Presidential Election’, curated by Andrea Arroyo; hosted by NYU’s Kimmel Galleries.
- October 2017: ‘The Awakening Exhibit’, Honolulu.
- 5-28 October 2017: ‘Brisbane Art Prize 2017’ Exhibition, Judith Wright Centre of Contemporary Arts, Queensland.
- 29 July- 4 August 2017: ‘Nostalgia’ Exhibition, Nazrul Tirtha Gallery, Kolkata.
- 13-20 June 2017: ‘Finding Freedom’ Exhibition, Jugglers Art Space, Queensland.
- 5 May 2017: ‘Nasty Women Art Chicago 2017’ Exhibition, Moonlight Studios, Chicago.
- 6-9 April 2017: The Coffee Art Project, London.
- 2-6 April 2017: ‘Jaipur Kala Mahotsav 2017’, Jawahar Kala Kendra, Jaipur.
- 9-11 February 2017: ‘Kalasamuha’: Collateral event of the Kochi-Muziris Biennale 2016, Kochi.
- 6-11 December 2016: ‘Ram Katha Unlimited’: Solo exhibition, Birla Academy of Art & Culture, Kolkata.
PUBLICATIONS
- Author and Artist, Whose Ramayana is it anyway?, Mapin Publishing, 2024.[Reviews: Art&Deal (Issue 181-182, Vol.20, May-June 2024), The Telegraph (28 June 2024), IndiaArtnDesign (23 July 2024), Eksentrika (Asian Arts Magazine-Malaysia, 13 December 2024), The Wire (21 April 2024), The Print (23 March 2024), Economic & Political Weekly (Issue No.20, Vol.60, 17 May 2025)]
- Guest Editor, Yagyaa – 3, BullsEye Press, 2021.
- Guest Editor, Zaalim Manjha, BullsEye Press, 2020.
- Guest Editor, Inferno, BullsEye Press, 2019.
- Featured Artist, ‘Now You See Me, Now You Don’t,’ Issue#12, FAT, Make8elieve Magazine.
- Featured Artist, ‘Not In My Backyard,’ Issue#9, Vol.2, THE BODY, Emboss Magazine.
- Featured Artist, ‘Every Exit Is An Entry,’ Average Art Magazine, October 2017 edition.
- Featured Artist for 10 artworks, Prachya Review, October 2017 edition.
- Featured Artist, ‘Two Sides of the Same Can,’ Average Art Magazine, August 2017 edition.
- Featured Artist, ‘Ordinary Love,’ A5 Magazine, August 2017 edition.
- Featured Artist, ‘Two Sides of the Same Can,’ The Social Art Award Book 2017: - Invigorating the Rise of Social Art, Institute for Art and Innovation e.V., Berlin, 5 September 2017.
Alongside her practice as a visual artist, Natasha holds a PhD in history, and has published extensively. Her book, The Last Great Plague of Colonial India, Oxford University Press, 2024 received The British in India Book Prize 2025. [Endorsements; Reviews: The Wire (22 September 2024), Outlook (22 December 2024), History of Science in South Asia (R1-R4, Vol.13, January 2025)]
